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The Doll Factory Hardcover – May 2, 2019
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'A sharp, scary, gorgeously evocative tale of love, art and obsession'
Paula Hawkins, author of The Girl on the Train
The Doll Factory by Elizabeth Macneal is the intoxicating story of a young woman who aspires to be an artist, and the man whose obsession may destroy her world for ever.
London. 1850. The greatest spectacle the city has ever seen is being built in Hyde Park, and among the crowd watching two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning.
When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.
But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .
A Radio 2 Book Club Choice.
- Print length336 pages
- LanguageEnglish
- PublisherPicador
- Publication dateMay 2, 2019
- Reading age18 years and up
- Dimensions5.67 x 1.5 x 8.82 inches
- ISBN-101529002397
- ISBN-13978-1529002393
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Product details
- Publisher : Picador; Main Market edition (May 2, 2019)
- Language : English
- Hardcover : 336 pages
- ISBN-10 : 1529002397
- ISBN-13 : 978-1529002393
- Reading age : 18 years and up
- Item Weight : 1.14 pounds
- Dimensions : 5.67 x 1.5 x 8.82 inches
- Best Sellers Rank: #2,689,350 in Books (See Top 100 in Books)
- #16,082 in Historical Thrillers (Books)
- #29,831 in Murder Thrillers
- #104,041 in Literary Fiction (Books)
- Customer Reviews:
About the author
Elizabeth Macneal is the author of two Sunday Times-bestselling novels: The Doll Factory, which won the 2018 Caledonia Novel Award and has been adapted into a major TV series on Paramount+, and Circus of Wonders. Her work has been translated into twenty-nine languages. Born in Scotland, Elizabeth is also a potter and lives in Twickenham with her family. She can be found on instagram @elizabethmacneal.
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The title refers to a shop owned by a woman her two employees refer to as Mrs. Satan. Iris and Rose are twins. Iris has a mild hunchback, but Rose who was once a beauty, has smallpox scars that have disfigured her. Iris has no idea how beautiful she is. She's a prisoner here in this doll shop with no future that she can see. It's her job to pain the dolls; her sister adds ornamentals to the tiny doll dresses brought to them by one of the street urchins.
This is where we meet my favorite character, street urchin, Albie. He apparently sews the little doll dresses himself. He love Iris because she gives him more money than the dresses are worth. He has a couple of sidelines; he sells “curiosities” to any shop owner, Silas. One is conjoined puppies that Silas will skin, stuff and disarticulate, showing the skeletal remains of one of the dogs. He will submit the results to one of the first world fairs that is currently being built in London. Three of his curiosities are accepted. Albie also steals small items from well off women. Iris catches him stealing a rather nice scarf. But he won't steal the really valuable stuff like suitcases he could snatch at the train station. He has a code. He also has a sister who's a prostitute. Albie only his one tooth and he'd like to buy dentures, but he'll never be able to save four pounds to buy them. When he does luck out, he thinks of his prostitute sister first and tries to rescue her from her unfortunate profession.
Iris also lucks out. She's chosen as a model by Louis Frost a rising young painter who's willing to pay her a shilling an hour to sit for him. She also wants to be a painter herself and only takes his offer when he promises to teach her. Modeling is only a touch above prostitute and her parents abandon her. Ruth also feels abandoned and won't answer Iris's letters.
Now for the plot. It's about Silas and his habit of kidnapping and sometimes murdering young women who have rejected him. He's so crazy he blocks out the murders. Then he meets Iris and he's immediately obsessed with her; he watches her all the time, at the expense of his occupation. He knows she's fallen in love with Louis and is jealous. Then there's a tiff between Louis and Iris and she runs away. Silas has been planning for months on how he'll take her, despite Albie's efforts to warn her.
Albie is trying to save her when MacNeal takes the easy way out and makes Iris situation even more deplorable. She keeps adding to the suspense. Will Iris escape Silas's basement? Sometimes he pouts and doesn't feed her. He even forgets the possibility that a beauty like Iris might have to use the bathroom. So then then the story becomes about determination and the will to survive. It is modernistic in that Iris must save herself. Twice others come looking for her or one of the other missing girls, but Silas is able to talk his way out of it, avoiding a search which would have revealed Iris in the basement. So how does she do it. It will keep you turning pages and leave you wanting an epilogue when the story comes to a screeching halt.
The ending is very open as to what happened with the main character's personal relationships.
Top reviews from other countries
Being a lover of art and painting myself, I totally devoured all the artistic references and descriptions (please check out as many pre raphaelite paintings as you can). What also helped was the feministic arc of our protagonist Iris, whose passion for art transcended everything else in her life. Who dared to be an ambitious woman in the 1850s. Who dared to dream, who dared to demand her share of respectability. Who dared to speak her mind. I loved her collarbone and Oh My God, I loved her hair!
Silas was a sick b*****d, no doubt. Didn't feel an ounce of pity for him. He was one of the worst villains in the history of villainy.
And last but not least, Ms. Elizabeth Macneal doesn't fail to bring out the REAL face of abduction and imprisonment. Of how horrifying it is, how dehumanizing. Of how helpless you can feel and how you're your only hope.
Except for the ending which felt a little stretched, the entire book was a rollercoaster ride and a delicious experience.
Reviewed in India on July 4, 2021
Being a lover of art and painting myself, I totally devoured all the artistic references and descriptions (please check out as many pre raphaelite paintings as you can). What also helped was the feministic arc of our protagonist Iris, whose passion for art transcended everything else in her life. Who dared to be an ambitious woman in the 1850s. Who dared to dream, who dared to demand her share of respectability. Who dared to speak her mind. I loved her collarbone and Oh My God, I loved her hair!
Silas was a sick b*****d, no doubt. Didn't feel an ounce of pity for him. He was one of the worst villains in the history of villainy.
And last but not least, Ms. Elizabeth Macneal doesn't fail to bring out the REAL face of abduction and imprisonment. Of how horrifying it is, how dehumanizing. Of how helpless you can feel and how you're your only hope.
Except for the ending which felt a little stretched, the entire book was a rollercoaster ride and a delicious experience.
Macneal inserts fictional painter Louis Frost into the friendship group of Millais, Rosetti and Holman Hunt. These artists were in the habit of buying taxidermied animals as models to paint from. Enter Silas Reed, who provides them. An ex-country boy who used to work in a pottery and sell skulls on the side (for the Victorians were mad collectors), he has come to London and very much hopes to display his wares at the Exhibition. At first a benign figure, it becomes apparent that he is lonely and obsessional. His new obsession is Iris, a tall redhead twin with a deformed clavicle. She and her sister Rose do grindingly boring work in a doll factory for a laudanum-addicted madam. Rose was the beauty “most likely to succeed” until she was disfigured by smallpox. The girls dream of opening their own shop but what Iris really wants to be is a proper painter.
This hope becomes more realistic when Frost takes her on as a model and agrees to train her. Rose and their parents are appalled at this descent down the social scale but it proves to be a godsend for Iris. It’s not long before an attraction builds between Iris and Louis but she’s in the position millions of women know well: it’s all very well for men to espouse free love but in a moralistic, patriarchal society it’s the “fallen” woman who carries the can. Iris also has some things to say about the PRB’s choice of subjects: why the romantic fantasies of the past when ordinary life provides a welter of marvellous things to paint?
The tension rises dramatically when Iris is felled and stashed in a cellar. We’re not sure if she’ll make it out. At this point the book becomes a thriller. It’s also of course, a terrific historical novel, a realistic love story and a good exploration of different psychologies. Elizabeth Macneal knows this era well. All sorts of details are piled on to give us a real feel for the time. This and other books show us that the Victorian period was not only one of bourgeois stuffed shirts. It was also a time of great intellectual, technological, artistic and social ferment. Excellent.