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The Doll Factory Hardcover – May 2, 2019

4.0 4.0 out of 5 stars 5,225 ratings

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'A sharp, scary, gorgeously evocative tale of love, art and obsession'
Paula Hawkins, author of The Girl on the Train

The Doll Factory by Elizabeth Macneal is the intoxicating story of a young woman who aspires to be an artist, and the man whose obsession may destroy her world for ever.

London. 1850. The greatest spectacle the city has ever seen is being built in Hyde Park, and among the crowd watching two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning.

When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.

But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

A Radio 2 Book Club Choice.

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From the Publisher

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

The Doll Factory, victorian, romance, artists, pre-raphelites, women's fiction

Product details

  • Publisher ‏ : ‎ Picador; Main Market edition (May 2, 2019)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 336 pages
  • ISBN-10 ‏ : ‎ 1529002397
  • ISBN-13 ‏ : ‎ 978-1529002393
  • Reading age ‏ : ‎ 18 years and up
  • Item Weight ‏ : ‎ 1.14 pounds
  • Dimensions ‏ : ‎ 5.67 x 1.5 x 8.82 inches
  • Customer Reviews:
    4.0 4.0 out of 5 stars 5,225 ratings

About the author

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Elizabeth Macneal
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Elizabeth Macneal is the author of two Sunday Times-bestselling novels: The Doll Factory, which won the 2018 Caledonia Novel Award and has been adapted into a major TV series on Paramount+, and Circus of Wonders. Her work has been translated into twenty-nine languages. Born in Scotland, Elizabeth is also a potter and lives in Twickenham with her family. She can be found on instagram @elizabethmacneal.

Customer reviews

4 out of 5 stars
4 out of 5
5,225 global ratings
Part compelling historical fiction / part dark gothic thriller.
5 Stars
Part compelling historical fiction / part dark gothic thriller.
Twins, the Whittle sisters are twenty-one years old and working in a doll factory when we first meet them. They are in the employ of a drug-addled despot named Mrs. Salter. They work grueling hours and live in a damp basement room under the shop. Rose sews the wardrobes of the dolls, while Iris paints the delicate features of their faces. The sisters were beautiful but are both flawed. Rose carries the horrible physical scars of smallpox, while our protagonist, Iris, has a deformed collar bone.It is that deformity that causes Silas to become obsessed with her. Silas Reed is a taxidermist and covets any physical deformity or manifestation that would make his ‘art’ unique. Silas, already mad, has been driven even more insane by his abject loneliness and his unrequited love for Iris Whittle.It is the year of the Great Exhibition in London. The ‘Crystal Palace’ has been built especially to house and display over one hundred thousand exhibits from many fields of study.In a poor area of London, lives the diminutive, toothless, pickpocket Albie. Remember, this story is set during the time of Charles Dickens, so the reader immediately thinks to compare him to Oliver Twist. Albie lives in a squalid room beneath a brothel with his sister, a prostitute. At only seven years of age, he has seen it all. When his sister ‘entertains’ customers on the bed, Albie lies under the bed and holds her hand. Heartbreaking stuff!Our protagonist, Iris Whittle, longs to be free. Free of the drudgery of working in the doll factory, free of the tyrannical Mrs. Salter, free of her twin sister who has been bitter towards her ever since she contracted small pox. Rose is jealous of Iris’s beauty. She is also envious of Iris’s artistic talent.It is young Albie who introduces the artist Louis Frost to the lovely Iris. When she is tempted by him to come and work as his muse, his model, she leaves her sister Rose – and her reputation – behind her. In exchange, Louis will teach her how to paint…Louis is a member of the Pre-Raphaelite Brotherhood.Iris has exchanged her reputation, her sister’s regard, and any kind of relationship with her parents – for her freedom.Freedom to paint. Freedom to love…MY THOUGHTSThe more I read historical fiction, the more I’m convinced that the phrase “the good ol’ days” is a misnomer. This novel is set in the mid nineteenth century and back then, for the average person, times were far from good.Another thing I appreciate about historical fiction is that I always learn something from it, no matter how much fictional license an author takes, there are always elements of truth within. Some books, like this debut by Elizabeth Macneal, is well researched with loads of factual information thinly disguised. The character of Iris Whittle was inspired by the true life female artist of the time, Lizzie Siddall.This brilliant cast of characters were all well wrought. The tragic Whittle sisters, the evil Mrs. Salter, the twisted, lonely, Silas, the artist Louis Frost, even the pet wombat Guinivere, all were easily imagined by the reader. The character that most stole my heart was the impish pickpocket, Albie.The historical time period has been described vividly. The social mores of the time, the squalor of the poor areas of London, the majesty of the Great Exhibition, the colours of the oil paintings, are all brought to fruition by the author’s excellent description.The cover of this novel is a work of art in and of itself. Under the bell jar are renditions of so many of the plot’s contents. Iris herself, Silas’s stuffed mice, butterflies, and even the Crystal Palace itself!This is a fiction debut that is sure to enchant lovers of historical fiction. In addition, the reader gets an intense and very dark story of obsession. With a sinister and gothic atmosphere, this novel is highly recommended!4.5 stars rounded up
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Top reviews from the United States

Reviewed in the United States on December 4, 2019
Perhaps the best thing about the DOLL FACTORY by Elizabeth MacNeal is the setting, 1850 Victorian England. It has that Jack the Ripper environment where nobody seems to be in charge of keeping the city, or at least this part of the city clean. Also poor abandoned children who live anyway they can are referred to as urchins.

The title refers to a shop owned by a woman her two employees refer to as Mrs. Satan. Iris and Rose are twins. Iris has a mild hunchback, but Rose who was once a beauty, has smallpox scars that have disfigured her. Iris has no idea how beautiful she is. She's a prisoner here in this doll shop with no future that she can see. It's her job to pain the dolls; her sister adds ornamentals to the tiny doll dresses brought to them by one of the street urchins.

This is where we meet my favorite character, street urchin, Albie. He apparently sews the little doll dresses himself. He love Iris because she gives him more money than the dresses are worth. He has a couple of sidelines; he sells “curiosities” to any shop owner, Silas. One is conjoined puppies that Silas will skin, stuff and disarticulate, showing the skeletal remains of one of the dogs. He will submit the results to one of the first world fairs that is currently being built in London. Three of his curiosities are accepted. Albie also steals small items from well off women. Iris catches him stealing a rather nice scarf. But he won't steal the really valuable stuff like suitcases he could snatch at the train station. He has a code. He also has a sister who's a prostitute. Albie only his one tooth and he'd like to buy dentures, but he'll never be able to save four pounds to buy them. When he does luck out, he thinks of his prostitute sister first and tries to rescue her from her unfortunate profession.

Iris also lucks out. She's chosen as a model by Louis Frost a rising young painter who's willing to pay her a shilling an hour to sit for him. She also wants to be a painter herself and only takes his offer when he promises to teach her. Modeling is only a touch above prostitute and her parents abandon her. Ruth also feels abandoned and won't answer Iris's letters.

Now for the plot. It's about Silas and his habit of kidnapping and sometimes murdering young women who have rejected him. He's so crazy he blocks out the murders. Then he meets Iris and he's immediately obsessed with her; he watches her all the time, at the expense of his occupation. He knows she's fallen in love with Louis and is jealous. Then there's a tiff between Louis and Iris and she runs away. Silas has been planning for months on how he'll take her, despite Albie's efforts to warn her.

Albie is trying to save her when MacNeal takes the easy way out and makes Iris situation even more deplorable. She keeps adding to the suspense. Will Iris escape Silas's basement? Sometimes he pouts and doesn't feed her. He even forgets the possibility that a beauty like Iris might have to use the bathroom. So then then the story becomes about determination and the will to survive. It is modernistic in that Iris must save herself. Twice others come looking for her or one of the other missing girls, but Silas is able to talk his way out of it, avoiding a search which would have revealed Iris in the basement. So how does she do it. It will keep you turning pages and leave you wanting an epilogue when the story comes to a screeching halt.
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Reviewed in the United States on August 14, 2020
I enjoyed the author's use of detail to bring out a stark visual of the opulence of London and the absolute grime of it. The characters are pretty well developed and the ending is quite engaging. The last chapter is a bit too abrupt for me...and a little too syrupy sweet. It almost feels like someone else decided to write that part of the book.
Reviewed in the United States on June 19, 2020
This book started out with so much promise. It seemed to be about art and personal freedom, and in a way it was, but then turns into something else. Initially the characters are clear and the storyline well drawn, and then that all suddenly drops off a cliff. Like an itch which you can’t quite reach, I found the book to be unsatisfying.
Reviewed in the United States on May 10, 2023
The story was very well written and was suspenseful to the very end. Such brilliant descriptions and characters. I thoroughly enjoyed the book.
Reviewed in the United States on July 3, 2023
Absolutely loved everything until the ending. It's still an enjoyable book though.
The ending is very open as to what happened with the main character's personal relationships.
Reviewed in the United States on August 31, 2020
This book was recommended as a really good book by someone whose opinion I respect, so I gave it a try. I don't usually like period piece novels that take place in Victorian England, but this was a gripping story. A young woman who worked in a doll factory is unknowingly being stalked by an unknown owner of a Curiosity Shop. He is obsessed by her, while she barely knows he exists. This story is creepy, thrilling, and engrossing. I highly recommend it.
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Reviewed in the United States on July 18, 2019
I loved this book, but I felt the end was not quite sewn up tight (no pun intended), I wanted more of what happened after the last page. If there was another few pages, of what I wanted to read, I’d have given it a 5. But a 4 it gets as I was not entirely happy with the last page. But it’s a good book, and I enjoyed reading it.
6 people found this helpful
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Reviewed in the United States on November 13, 2019
This novel has everything I love: art, a good romance, stark reality of historical poverty, and a serial killer with stuffed mice. But this book also is highly predictable and features tons and tons of animal abuse and death. Dog lovers beware.
2 people found this helpful
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Top reviews from other countries

anna j allan
5.0 out of 5 stars Great story, well written!
Reviewed in the United Kingdom on January 29, 2024
Really dark, creepy and so atmospheric. Loved it!
Reader1996
5.0 out of 5 stars Art, obsession, madness!
Reviewed in India on July 4, 2021
This was an altogether different experience for me. Not everyday do I read psychological thrillers about art and obsession set in the mid 1800s. And there is something really syrupy about a modern author writing in old school narration. Not Shakespearean old school, just... you know... 1800s old school 🤷🏽‍♀️

Being a lover of art and painting myself, I totally devoured all the artistic references and descriptions (please check out as many pre raphaelite paintings as you can). What also helped was the feministic arc of our protagonist Iris, whose passion for art transcended everything else in her life. Who dared to be an ambitious woman in the 1850s. Who dared to dream, who dared to demand her share of respectability. Who dared to speak her mind. I loved her collarbone and Oh My God, I loved her hair!

Silas was a sick b*****d, no doubt. Didn't feel an ounce of pity for him. He was one of the worst villains in the history of villainy.

And last but not least, Ms. Elizabeth Macneal doesn't fail to bring out the REAL face of abduction and imprisonment. Of how horrifying it is, how dehumanizing. Of how helpless you can feel and how you're your only hope.

Except for the ending which felt a little stretched, the entire book was a rollercoaster ride and a delicious experience.
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Reader1996
5.0 out of 5 stars Art, obsession, madness!
Reviewed in India on July 4, 2021
This was an altogether different experience for me. Not everyday do I read psychological thrillers about art and obsession set in the mid 1800s. And there is something really syrupy about a modern author writing in old school narration. Not Shakespearean old school, just... you know... 1800s old school 🤷🏽‍♀️

Being a lover of art and painting myself, I totally devoured all the artistic references and descriptions (please check out as many pre raphaelite paintings as you can). What also helped was the feministic arc of our protagonist Iris, whose passion for art transcended everything else in her life. Who dared to be an ambitious woman in the 1850s. Who dared to dream, who dared to demand her share of respectability. Who dared to speak her mind. I loved her collarbone and Oh My God, I loved her hair!

Silas was a sick b*****d, no doubt. Didn't feel an ounce of pity for him. He was one of the worst villains in the history of villainy.

And last but not least, Ms. Elizabeth Macneal doesn't fail to bring out the REAL face of abduction and imprisonment. Of how horrifying it is, how dehumanizing. Of how helpless you can feel and how you're your only hope.

Except for the ending which felt a little stretched, the entire book was a rollercoaster ride and a delicious experience.
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Lindsay Bonnez
5.0 out of 5 stars The best debut I ever read so far, waw.
Reviewed in Germany on July 31, 2020
What.a.debut. First of all, this made me realise how much I enjoy the setting of books like this. Elizabeth established an amazing victorian feeling. I don’t really like books written in third-person, but it did not bother me one second altho there were 384 pages, how nice is that? Now let’s deal with the elephant in the room, was it a good thriller? HELL YEAH. Seriously, I took a step back from thrillers awhile ago after multiple dissapointments, but baby I’m in again. I literally gasped at one point, and was on edge the whole last part of the book. The book has a clean and nice pace building up to the ending, and the character depth is unbelievable. The amount of details is immense altho still spot on and she knows when or where to add them. She literally created a world from scratch for you to explore without it feeling overwhelming. This was such a nice book to imagine the settings of. It was rich in characters, environment, details and even emotions. Elizabeth writes in ways that make you connect with the people you read about and makes you feel with them. This is a book that made me realise once again why I love books. Some people really do know how to make magic in pages. And this is one of them.
2 people found this helpful
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Snapdragon
5.0 out of 5 stars The grime and glory of 1850’s London
Reviewed in Australia on May 20, 2019
This tale of art, love and obsession plays out against the vivid background of a London about to open the portals of the Crystal Palace to the Great Exhibition. The painters of the Pre-Raphaelite Brethren, strongly criticised by Ruskin, are about to be accepted by the Royal Academy. Meanwhile, in the foetid streets, pimps, prostitutes, clerks, barrow men and urchins dodge the horse traffic, the fleas, the lice, the dead animals - and humans - and the generalised filth.

Macneal inserts fictional painter Louis Frost into the friendship group of Millais, Rosetti and Holman Hunt. These artists were in the habit of buying taxidermied animals as models to paint from. Enter Silas Reed, who provides them. An ex-country boy who used to work in a pottery and sell skulls on the side (for the Victorians were mad collectors), he has come to London and very much hopes to display his wares at the Exhibition. At first a benign figure, it becomes apparent that he is lonely and obsessional. His new obsession is Iris, a tall redhead twin with a deformed clavicle. She and her sister Rose do grindingly boring work in a doll factory for a laudanum-addicted madam. Rose was the beauty “most likely to succeed” until she was disfigured by smallpox. The girls dream of opening their own shop but what Iris really wants to be is a proper painter.

This hope becomes more realistic when Frost takes her on as a model and agrees to train her. Rose and their parents are appalled at this descent down the social scale but it proves to be a godsend for Iris. It’s not long before an attraction builds between Iris and Louis but she’s in the position millions of women know well: it’s all very well for men to espouse free love but in a moralistic, patriarchal society it’s the “fallen” woman who carries the can. Iris also has some things to say about the PRB’s choice of subjects: why the romantic fantasies of the past when ordinary life provides a welter of marvellous things to paint?

The tension rises dramatically when Iris is felled and stashed in a cellar. We’re not sure if she’ll make it out. At this point the book becomes a thriller. It’s also of course, a terrific historical novel, a realistic love story and a good exploration of different psychologies. Elizabeth Macneal knows this era well. All sorts of details are piled on to give us a real feel for the time. This and other books show us that the Victorian period was not only one of bourgeois stuffed shirts. It was also a time of great intellectual, technological, artistic and social ferment. Excellent.
2 people found this helpful
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Brittany Giesbrecht
4.0 out of 5 stars Excellent Read
Reviewed in Canada on December 21, 2022
I would give this book 4.5 stars if I could. Very descriptive and great characters! Only falls slightly short of Elizabeth MacNeal's 'Circus of Wonders', in my opinion.